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I use this recording of a song by Chico Buarque and Tom Jobim ‘included on the soundtrack album Ópera do Malandro, a 1985 Brazilian approximation of The Beggar's Opera to illustrate the concept of vocal persona. Elis Regina passes with considerable vocal passion from nice confidante to wanton lover to psycho bitch to vulnerable little girl, etc., etc. This video material consists solely of timecode and of lyrics in both original Portuguese and in English translation so that students can note points at which Regina’s vocal persona changes.
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“Dog” & 007 chord ...
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Montage of logos for rock academies, ...
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Troubles with Tonal Terminology ...
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with bilingual lyrics on screen ...
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Original 9-minute studio audio track ...
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“Dansa dansa” (1987) and Swedish “dansbandsmusik” ...
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Bilingual lyrics and basic notation ...
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Notation and lyrics in Swedish and English ...
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The tragic Marin County Courthouse events ...
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Four phases of the ADSR envelope ...
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Does it go from I to V or from IV to I? ...
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LP Le Nord du Nord (1968) ...
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Live performance (Likávittos, Athens, Sept. 2006) ...
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Example of music's relation to politics ...
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from Aufstieg und Fall der Stadt Mahagonny (1930) ...
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Jara was tortured and killed by the Pinochet’s thugs ...
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The importance of syncrisis ...
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Cwm Rhondda in Welsh ...
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Are simultaneously sounded semitones discordant? ...
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The connotative coherence of the chord ...
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Importance of accompanimental parameters of expression ...
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Banned worldwide by Google’s legal team ...
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Musicology & Colonialism conference ...
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Universidad de Villa Maria ...
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Shaving, motorbikes and power chords ...
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Extracts from 52 US pop records 1957-63 ...
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42 online performances of 'Gabriel's Oboe' ...
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What does the famous 4-note jingle mean ...
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Problems involved in labelling musics ...
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Du problème d'appeler une musique ...
